Adding muscles to the underlying form in a clay model provided me with the basis to scale up. I had two huge blocks of foam delivered to the studio (in case I screwed up the first one). Though at this point mistakes weren't really an option. I'm off to Pietrasanta on 29th to finish a couple of marble pieces, so I have to finish and deliver my Broomhill piece before that. In order to do it in the time available and within the budget provided, I'm using a material and technique I've never tried before. The upside of that is every action and decision become creative discovery. I've realised I have no interest in work that just becomes a fabrication exercise.


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